Collection of reading material from programmes held at Rhubaba from 2020 – 2022; Library of Frequencies and …from tomorrow’s yesterdays podcast series and workshops.
These texts were selected by the artists who worked with Rhubaba, offering the public context by which to better understand the work and gather insight into their reasearch and general practice, a grounded foundation relating to the Embodied Knowledge project.
New reading material will be added as Embodied Knowledge progresses.
Code | Artist | Project | Title | Reference |
|---|---|---|---|---|
001 | Ufuoma Essi | Library of Frequencies | Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910 | Whaley, D. E. (2006). Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910. Durham: Duke University Press. |
002 | Imani Mason Jordan | Library of Frequencies | Jordan, J. (1995). Civil Wars. New York: Touchstone. | |
003 | Kitso Lynn Lelliott | Library of Frequencies | Putuma, K. (2017). Collective Amnesia. Cape Town: Uhlanga. | |
004 | Imani Mason Jordan | Library of Frequencies | Demonic Grounds Black Women and the Cartographies of Struggle | McKittrick, K. (2006). Demonic Grounds Black Women and the Cartographies of Struggle. Minnesota: University of Minnesota. |
005 | Imani Mason Jordan | Library of Frequencies | Johnson, G. T. (2017). Futures of Black Radicalism. London: Verso Books. | |
006 | Mandla Rae | Library of Frequencies | Mutwa, V. C. (1999). Indaba My Children: African Folktales. New York: Grove Press. | |
007 | Library of Frequencies | Library of Frequencies | Campt, T. M. (2017). Listening to Images. Durham: Duke University Press. | |
008 | Imani Mason Jordan | Library of Frequencies | Hartman, S. V. (1997). Scenes of Subjection Terror, Slavery, and Self-Making in Nineteenth-Century America — Race and American Culture. Oxford: Oxford University Press. | |
009 | Imani Mason Jordan | Library of Frequencies | Kilomba, G. (2016). Plantation Memories: Episodes of Everyday Racism. Münster: Unrast Verlag. | |
010 | Kitso Lynn Lelliott | Library of Frequencies | Minh-Ha, Trinh T. (1989). Woman, Native, Other: Writing Postcoloniality and Feminism. Bloomington: Indiana University Press. | |
011 | Emma Wolukau-Wanambwa | …from tomorrow’s yesterdays | Sharpe, C. E. (2016). In the Wake: On Blackness and Being. Durham: Duke University Press. | |
012 | Emma Wolukau-Wanambwa | …from tomorrow’s yesterdays | Trouillot. M. (2015). Silencing the Past: Power and the Production of History. Boston: Beacon Press. | |
013 | Emma Wolukau-Wanambwa | …from tomorrow’s yesterdays | Gilroy, P. (2022). The Black Atlantic: Modernity and Double Consciousness. London: Verso. | |
014 | Embodied Knowledge | Embodied Knowledge | Lorde, A. (2019). Sister Outsider. London: Penguin Books Ltd. | |
015 | Embodied Knowledge | Embodied Knowledge | Hartman, S. (2019) Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women and Queer Radicals. London: Serpent’s Tail. |















Collection of reading material from programmes held at Rhubaba from 2020 – 2022; Library of Frequencies and …from tomorrow’s yesterdays podcast series and workshops.
These texts were selected by the artists who worked with Rhubaba, offering the public context by which to better understand the work and gather insight into their reasearch and general practice, a grounded foundation relating to the Embodied Knowledge project.
New reading material will be added as Embodied Knowledge progresses.
Code | 001 |
|---|---|
Artist | Ufuoma Essi |
Project | Library of Frequencies |
Title | Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910 |
Reference | Whaley, D. E. (2006). Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910. Durham: Duke University Press. |

Code | 002 |
|---|---|
Artist | Imani Mason Jordan |
Project | Library of Frequencies |
Title | |
Reference | Jordan, J. (1995). Civil Wars. New York: Touchstone. |

Code | 003 |
|---|---|
Artist | Kitso Lynn Lelliott |
Project | Library of Frequencies |
Title | |
Reference | Putuma, K. (2017). Collective Amnesia. Cape Town: Uhlanga. |

Code | 004 |
|---|---|
Artist | Imani Mason Jordan |
Project | Library of Frequencies |
Title | Demonic Grounds Black Women and the Cartographies of Struggle |
Reference | McKittrick, K. (2006). Demonic Grounds Black Women and the Cartographies of Struggle. Minnesota: University of Minnesota. |

Code | 005 |
|---|---|
Artist | Imani Mason Jordan |
Project | Library of Frequencies |
Title | |
Reference | Johnson, G. T. (2017). Futures of Black Radicalism. London: Verso Books. |

Code | 006 |
|---|---|
Artist | Mandla Rae |
Project | Library of Frequencies |
Title | |
Reference | Mutwa, V. C. (1999). Indaba My Children: African Folktales. New York: Grove Press. |

Code | 007 |
|---|---|
Artist | Library of Frequencies |
Project | Library of Frequencies |
Title | |
Reference | Campt, T. M. (2017). Listening to Images. Durham: Duke University Press. |

Code | 008 |
|---|---|
Artist | Imani Mason Jordan |
Project | Library of Frequencies |
Title | |
Reference | Hartman, S. V. (1997). Scenes of Subjection Terror, Slavery, and Self-Making in Nineteenth-Century America — Race and American Culture. Oxford: Oxford University Press. |

Code | 009 |
|---|---|
Artist | Imani Mason Jordan |
Project | Library of Frequencies |
Title | |
Reference | Kilomba, G. (2016). Plantation Memories: Episodes of Everyday Racism. Münster: Unrast Verlag. |

Code | 010 |
|---|---|
Artist | Kitso Lynn Lelliott |
Project | Library of Frequencies |
Title | |
Reference | Minh-Ha, Trinh T. (1989). Woman, Native, Other: Writing Postcoloniality and Feminism. Bloomington: Indiana University Press. |

Code | 011 |
|---|---|
Artist | Emma Wolukau-Wanambwa |
Project | …from tomorrow’s yesterdays |
Title | |
Reference | Sharpe, C. E. (2016). In the Wake: On Blackness and Being. Durham: Duke University Press. |

Code | 012 |
|---|---|
Artist | Emma Wolukau-Wanambwa |
Project | …from tomorrow’s yesterdays |
Title | |
Reference | Trouillot. M. (2015). Silencing the Past: Power and the Production of History. Boston: Beacon Press. |

Code | 013 |
|---|---|
Artist | Emma Wolukau-Wanambwa |
Project | …from tomorrow’s yesterdays |
Title | |
Reference | Gilroy, P. (2022). The Black Atlantic: Modernity and Double Consciousness. London: Verso. |

Code | 014 |
|---|---|
Artist | Embodied Knowledge |
Project | Embodied Knowledge |
Title | |
Reference | Lorde, A. (2019). Sister Outsider. London: Penguin Books Ltd. |

Code | 015 |
|---|---|
Artist | Embodied Knowledge |
Project | Embodied Knowledge |
Title | |
Reference | Hartman, S. (2019) Wayward Lives, Beautiful Experiments: Intimate Histories of Riotous Black Girls, Troublesome Women and Queer Radicals. London: Serpent’s Tail. |

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